Please join Dunn-Edwards Emerging Professionals Program for a special student presentation Paint 101! Come and learn about paint technology, paint ingredients, and performance testing! All participants will receive a coupon for a free InstaColor iD matching tool AND a swag bag that will be available for pick up for those living in the Los Angeles area!
An outside-in perspective is required to counteract the bias to inward focus. It is a deliberate activity and approach that aims to drag a business back into focusing on what is going on in this world. In this course, participants will understand the key elements of how biophilic designs can play a role in our work environment. The course will review the needs humans have in seeking connections to nature and other forms of life. The course will review the effects of urbanization and the tech takeover, while counterpointing companies’ willingness to include biophilic designs in the workplace. Finally, this course will review the reasons biophilic designs are dominating the workplace while showing examples of their uses in the hospitality setting.
Calling ALL students to join NEWH LA for a virtual portfolio review. This is a great opportunity to get feedback on your resume, projects, or portfolio from working professionals in the hospitality industry. Use that feedback to help your work stand out from the crowd!
How it works: Open to all students who have at least one project completed and/or a resume for review.
Students will go on a series of speed dates, each time being reviewed by a different mentor. They should be prepared to take control of the screen and present their work digitally. They have the option of presenting the same project or resume multiple times or presenting several different projects and a resume. Students will be put in a group of 2 or 3. Depending on the group size, they will be given 3-5 minutes to present one project, and the reviewer will have 2-3 minutes to critique.
Event: Speed Dating Portfolio Review Date: Friday, Sept, 17th Time: 2PM-4PM PDT Format: Online via Zoom Cost: Free Registration: HERE
Congratulations to Barbara Bischoff for being named to the Mix Interiors 30 under 30 class of 2021!
Here is a little about Barbara and her projects for HOK London:
After spending time in HOK’s Los Angeles office, it took some convincing to lure Barbara away from sunnier climes, and HOK London’s team is fortunate to have her. Her talent and creativity were put immediately to work by joining fast-paced teams delivering projects in the UK, Europe and the Middle East. Her insatiable design curiosity cuts across many project typologies, from corporate and commercial through to hospitality and aviation. From her design background, she has particular expertise in the hospitality sector, where she learned how to create immersive experiences through a journey of colours, textures and patterns; and from her higher education design background, where she understood how to create inclusive and vibrant academic interiors that reinforce the user’s wellbeing. In all her projects, understanding the DNA of a client is at the crux of the assignment. This understanding becomes the springboard for her interpretation of a client’s brief and shapes the appropriate design narrative to tell each of her clients’ unique stories. Barbara has been doing just that on a world-class corporate headquarters in Riyadh’s King Abdullah Financial District and, closer to home, she has been instrumental in developing a Bristol-based workplace design for the commercial arm of the UK’s leading broadcasting institution.
To read more about this group of rising stars of the architectural and interior design community click HERE
Hospitality Design (HD) is partnering once again with West Elm for the third annual HD/West Elm Student Product Design Competition. Current students and those who have been out of school for up to a year are eligible to enter the contest. The deadline to enter is April 5th!
This year, the competition is focused on designing a family of lighting intended for hospitality and commercial spaces. The winning designer will receive a $5,000 prize from West Elm and have their product produced by West Elm.
Light fixtures should be aesthetically neutral enough to fit in multiple environments, yet have a distinct design perspective and seamlessly blend into the West Elm vernacular. The collection should consist of a mix of hard-wired and portable pieces including:
A hard-wired sconce (Sconces should protrude no more than 4 inches from the wall to meet ADA requirements)
In this challenging time of COVID-19, we are all doing what we can to stay connected while working from home. Architectural Digest reached out to Alice Hricak, Certificate Program Graduate and Principal of Corporate Interiors at Perkins and Will, as well as other members of the design community to see how why are taking care of their employees’ health and well-being during these trying times. Read the full article HERE.
How long have you been the Student Affairs Advisor for the Arc+ID program?
I’ve been here for almost 29 years and before that I attended the Certificate program for 7 years, graduating in 1987. I’ve seen thousands of students pass through my doors and when I see graduates working in the field I am just so proud of their success!
What does your typical day look like?
Email, telephone calls, in person meetings with prospective and ongoing students for both the Certificate program and for the Master’s program. I also do transcript and portfolio evaluations, review resumes, and assist with connecting students with internships and jobs.
What is one big change you’ve seen within the industry over the years?
The importance of an Interior Design education! At one time, anyone with good taste could become an interior designer. But in today’s world, more concrete skills are needed. Knowledge of building codes, surface materials, environmental standards, computer design software, and proper lighting just to name a few examples. A good education prepares designers for what today’s industry is seeking in a professional- it separates an “interior designer” from an “interior decorator”.
What are some qualities that you believe make for a successful student in the program?
Most students know within their first few classes if this program is the right fit for them. In the long run cutting corners never works so being prepared to study and invest enough time in the program will lead to success. When it comes to students who are changing careers, I would say being open to new ideas and learning different ways of doing things is key.
How important are internships for students?
Internships are career builders and the hands-on experience that it delivers is very important, especially since it may be the first time that many students will be in a design office setting. And sometimes, it’s not what they expect! Internships can really shape what a student would like to do in the industry. It can also lead to a job!
What are your job search tips for students just entering the field?
If you are new to interior design you should start compiling a portfolio of your work from the beginning of the program. You never know when an opportunity could come along! For more advanced students, we offer an Advanced Portfolio Design & Graphic Storytelling course. By the end of the course students have a personal portfolio, résumé, and sample work. In addition, students learn techniques on presentations, interviews, and client meetings. This type of course can really help polish the edges and give you the confidence for a worthy job search. Lastly, do your research. Check out what firms big and small are seeking in candidates and focus on learning any of the skills you are lacking.
What are helpful design resources you can recommend to students?
Build a professional design network, i.e., belong to a design organization(s), like ASID and attend industry events at design hubs like the Pacific Design Center. Build and maintain your relationships from UCLA!
If you could recommend one book to students, what would it be?
I have so many, I could never pick just one! But I have to say, I still enjoy looking at hard copies of interior design magazines. Old or new, there’s just something about the striking images and the way magazines are laid out. It’s more tangible and something the internet can’t capture.
Typical, how do you spend your time away from the office?
I go to the theater, new restaurants, art exhibits, book readings and the movies. Anything that keeps me engaged and inspired! Lately, I’ve also been playing Spelling Bee, a New York Times word puzzle with my grandchildren. They’re whip smart and beat me every week!
Thank you for your time Suzanne! The Arc+ID program is lucky to have you!
Suzanne’s office is located in the 1010 Westwood building and if you have not met Suzanne, or have any unanswered questions about the program, don’t hesitate to setup an appointment by calling (310) 794-3747.
Alumni, Certificate of Interior Design graduate June 2019
Can you tell us a little about your background and how you became interested in interior design?
My career path began as a graphic designer in Austin, Texas where I worked for the notable and global Pentagram Design Studio. I received an offer to move to Los Angeles and work in the consumer product graphics division of Hanna-Barbera, where I spent the next 20 years working my way up to the level of a Senior Creative Executive. Throughout my graphic design career, I always had an affinity toward human built structures and interior design. In the summer of 2015, I discovered the UCLA Arc+ID program and enrolled with the goal of seeing where interior architecture would take me.
How do you think going through the Arc+ID certificate program was beneficial to you as someone who was changing careers?
I found the Arc+ID department staff and many of the instructors to be very supportive and encouraging to career “transitioners” like myself, especially in the early part of the program. The pacing and content of the courses allowed me to get a broad understanding of the discipline and details needed to work in the industry. Since many of the instructors are working professionally in the field, they were able to share their career path and some hard-learned experiences which I completely absorbed.
What was one of your most memorable experiences going through the program?
I had several “ah-ha!” moments while taking the Design Communication classes, especially when learning drafting details and tricks from my instructors-who were all excellent draftsmen! My most memorable moment was seeing Axonometric drawing examples and trying to get my head around the possibility of drafting one! David Alvarez was a wonderful instructor and taught the entire class how to draft an Axo in one class session.
Now that you have finished the program, what are you currently working on?
I am self-employed and I currently have three residential projects at various stages of development – a young family in a new modern build that is more than double the size of their previous home, a family investing in furnishings and finishes in their “forever” home, and a retiree that is updating her home after many years of living with the same interior design aesthetic.
What are some helpful tips that you would recommend to students still in the program?
Get to know your fellow students, instructors, and join ASID! Networking is beneficial to anyone changing careers because the more experiences you can share and learn about, and events you attend the better off you will be in finding your path.
What is your favorite place in Los Angeles to go for creative inspiration?
Los Angeles is such a diverse and rich place to live and work, I have no one favorite place for creative inspiration. I love what is going on in DTLA from the new construction, to the renovations, and restorations, especially in the Arts District. The Pacific Design Center and the retailers along La Cienega and Beverly/Roberston provide a wealth of inspiration. I think a lot of students may feel intimidated to go into those retailers, but my experiences have always been to feel very welcomed.